Altar Egos

Determined to witness their church's growth, Pastor John (Robert Amaya) and his wife Betsy (Erin Bethea) make the unthinkable decision to change their church's traditional Christmas pageant. Taken aback, the elderly choir director, Mary Margaret (Sallie Wanchisn), leads the choir in a boycott. Facing the possibility of losing his job, Pastor John resorts to disguising himself as an old man in an effort to bridge the generational divide, win over Mary, and bring the choir back to the church. However, when he discovers that the underlying issues run deeper than he initially suspected, Pastor John must learn to love the unlovable, or risk the ruin of his church and family.

Desperate to see their church's congregation grow, Pastor John and his wife Betsy make the bold move of altering the church's long-standing Christmas pageant. This decision, however, leaves the elderly choir director, Mary Margaret, aghast. Outraged, she leads the choir in a boycott of the event. Facing the prospect of termination, Pastor John resorts to a clever ruse, disguising himself as an elderly man in an attempt to bridge the generation gap, win over the stubborn Mary, and persuade the choir to return to the church.

As Pastor John delves deeper into the situation, he discovers that the underlying tensions run far deeper than he had initially assumed. Confronted with this realization, he is forced to confront his own preconceptions and learn to love those who may seem unlovable, lest he risk the ultimate downfall of his church and family.

The central narrative follows Pastor John and his wife Betsy as they navigate the delicate situation, their actions driven by a sincere desire to see their church thrive. However, their well-intentioned efforts quickly spiral into a conflict with the unyielding Mary Margaret, who leads the choir in a defiant boycott. Facing the potential loss of his position, Pastor John resorts to a clever ruse, disguising himself as an elderly man in order to bridge the generational divide, win over the stubborn Mary, and persuade the choir to return to the church.

As the story unfolds, Pastor John comes to the realization that the issues he faces are far more complex than he had initially believed. Forced to confront his own biases and preconceptions, he must learn to love those who may seem unlovable, lest he risk the ultimate destruction of both his church and his family.

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